Works by artists other than Gleizes
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- by Anne Dangar (1887-1951)
- Australian painter. Came to Moly Sabata
in 1930 and took up pottery, working in the craft potteries that
were still in existence in the region (the Rhone Valley round
Serrieres/Sablons). A French website specialising in Moly Sabata
and its impact on the region can be found here.
A beautifully illustrated book
on Anne Dangar has been published by the Australian historian
Bruce Adams.
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-
- by Mainie Jellett (1897-1944)
- Irish painter. Together with her friend,
Evie Hone, began working with Gleizes in 1921-2. They were his
first pupils. See the bibliography for the major study by Bruce
Arnold.
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- Exercises in translation/rotation
- Paintings
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-
- by Robert Pouyaud (1901-1970)
- Painter and sculptor. Started working
with Gleizes in 1924. Was the first to live in the artists' community
Gleizes founded at Moly Sabata.
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- Gouaches
- Paintings
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- by René Dürrbach (1910-1999)
- René Durrbach lived for many years
in Gleizes' house in Cavalaire, working in his studio which had
been designed for him by Emmanuel Gondouin. Dürrbach was
a sculptor as well as a painter, and was the husband of the weaver
Jacqueline de la Baume Dürrbach, known for her tapestries
based on Picasso's Guernica and
Les Demoiselles d'Avignon.
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- Project for
the windows of the cathedral of St Cyr, Nevers
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-
- by Genevieve Dalban (1926-2002)
- Potter. Met Anne Dangar in 1949 and worked
with the weaver, Lucie Deveyle (1908-1956) at Moly Sabata. Subsequently
established her own kiln at Ampuis, near Vienne in the Rhone
valley.
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- Plate: La Femme
de l'Apocalypse, c1980
- Plate, c1983
- Cake dish, c1983
- Plate, c1997
- La Grange, Ampuis, 2001
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-
- by Aguilberte Dalban (b1965)
- Potter. Daughter of Genevieve Dalban.
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- Glazed
earth plate, c38cm diam, c2000
- Three Saucers, c15cm diam, c1988-9
- Bowl, c1997
- Bowl, c1997
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-
- by Walter Firpo
(c1900-2000) [added September
2009]
- Painter. A maverick figure among the group
round Gleizes, Firpo never practised the Gleizes 'mode opératoire' rigorously but was greatly
influenced by it. He held a joint exhibition with Gleizes in
1929 but was particularly close to him in the post war period.
He introduced me to the school and these examples of his work
are from my own collection.
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-
- by Peter Brooke (b1948)
- Painter. Responsible for this website.
I spent some ten years in France from 1987 with Genevieve Dalban
in Ampuis and the publisher, Henri Viaud, in the Alpes de Haute
Provence. I published the book Albert
Gleizes - For and Against the Twentieth Century
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- Exercises
in translation
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